While Alien: Covenant made its money back, it was a critical and economic flop, grossing a fraction of what Prometheus did. Scott suggested many sequels before Covenant’s release, but given the film’s reception, one last instalment to finish everything off seems like the most likely result. Scott’s return to the “Alien” world after more than 30 years, since the 1979 original starring Sigourney Weaver, was “Prometheus.” With “Aliens,” “Alien 3,” and “Alien: Resurrection,” he’d given the torch to James Cameron, David Fincher, and Jean-Pierre Jeunet.
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Let’s Take you through Prometheus
As the fifth movie in the Alien franchise, production on the film began in the early 2000s. Scott and filmmaker James Cameron discussed the possibility of doing a prequel to Scott’s 1979 science-fiction horror thriller Alien. The creation of Alien vs. Predator gained precedence in 2002, and the idea was put on hold until 2009, when Scott expressed renewed interest.
Scott chose a different path to avoid duplicating themes from the Alien films, so Spaihts prepared a narrative for a prequel to the events of the Alien films. Late in 2010, Lindelof joined the project to rework Spaihts’ script, and he and Scott collaborated on a tale that takes place before Alien but is unrelated to the original series. Despite sharing “strands of Alien’s DNA” and taking place in the same cosmos, Prometheus, according to Scott, explores its own mythology and themes.
Who is in the Cast Crew?
Noomi Rapace played the role of Elizabeth Shaw
Shaw, an archaeologist, is characterised by Rapace as a devout Christian with a strong faith “Things happen in the midst of the film, and she transforms into a fighter. She’s such a survivor in the end.” She created a comprehensive background for Shaw and worked with a dialect coach to produce a British accent to enhance her method acting.
Michael Fassbender played the role of David
David is the ship’s butler and maintenance guy, and he is an android. It’s made to look like people, and it starts to acquire “its own ego, fears, jealously, and envy.”
Charlize Theron played the role of Meredith Vickers
Vickers is a Weyland Corporation employee assigned to the expedition’s surveillance. The character was defined by Theron as “a suit who gradually sheds [her] skin throughout the film,” as well as “something of a villain… [who] obviously has an agenda.” “Vickers is realistic, and he badly wants to manage the issue,” she explained. Instead of being the centre of attention, Scott wanted the character to be in the background of situations, watching other people. “You’re just so distrustful of her, initially,” Theron remarked, adding that this helped deepen her character.
Idris Elba played the role of Janek
Janek is the Prometheus’s captain. With a military background, Elba defined the role as “a longshoreman and a sailor.”
Guy Pearce played the role of Peter Weyland
Weyland is the founder and CEO of Weyland Corp., which is worth a billion dollars. He was described by Lindelof as having a big ego and a deity complex. It took five hours to apply the appropriate prosthetics and make-up to change Pearce into the elderly Weyland, and another hour to remove it. Pearce examined older people to acquire insight into their movements for his character, since he felt the obstructed physical mobility to be the most challenging aspect of the job.
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Interesting Things About Prometheus
Pop Rocks, a brand of popping candy, and a parrot were used to create sound effects. The sparkling ice shown on the stone cylinders in the video was made by sprinkling the exploding candy over wet metal and stone, which was then sprayed with water to provide the “popping, cracking” sound. The parrot of sound designer Ann Scibelli was recorded over a period of weeks to chronicle her wide range of vocalisations, which were later used as beeps, sirens, and the screams of Shaw’s alien progeny.
The extraterrestrial creatures in the film were created by Neal Scanlan and Conor O’Sullivan with the goal of conveying that each species has a rational biological function and purpose. Scott gets a lot of his creature design inspiration from nature, such as flora and marine animals, according to Scanlan.
To contrast the black-toned, Giger-influenced look of Alien, creature designer Carlos Huante sought to make the creature designs pale. Because the events in the film took place before Giger’s influence, Huante imagined them to be white and embryonic. Huante drew inspiration from the pale-skinned Engineers that Scott was designing.
Scott wanted the Engineers to seem like Greek gods, so he told designer Neville Page to take inspiration from the Statue of Liberty, Michelangelo’s David, and Elvis Presley. The 8-foot tall humanoid Engineers were produced by putting bulky, full-body prosthetics on the performers, who had their face features masked by the material, and then digitally enhancing them to maintain their “godlike” physical perfection.
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Prometheus began production in April 2010, following long design phases in which the film’s technology and monsters were designed. With a budget of $120–130 million, principal photography began in March 2011. Almost entirely on practical sets and on location in England, Iceland, Spain, and Scotland, the production was shot with 3D cameras. It was marketed using a web-based marketing effort that featured viral activities.