I am not sure about you, but I get very sentimental when I see a movie where the family gets apart due to some reason. I particularly don’t know the reason, but it touches my heart, and one such movie I will be discussing here with you is “A Chiara”, furthermore you will also get to read “A Chiara Film Review”.
So what are we waiting for? Let’s dive in straight?
About A Chiara
Claudio and Carmela’s oldest daughter’s 18th birthday is celebrated by the Guerrasio family and friends. As they battle on the dancefloor, the birthday girl and her 15-year-old sister Chiara have a healthy rivalry. It’s a joyous event, and everyone in the close-knit family is in fine form.
The next day, though, everything changes when the father vanishes. Chiara begins her investigation after being unimpressed by the cover narrative. She is forced to choose what type of future she wants for herself as she draws closer to the truth.
What’s About its Production?
Jonas Carpignano was slated to write and direct his third film, A Chiara, a follow-up to his 2017 movie A Ciambra, on June 19, 2019. Casting was ongoing, and the main filming was set to begin in Calabria, in southern Italy, in October 2019.
The film was to be produced by Stayblack Productions in Italy and Haut et Court in France, with funding from RAI Cinema, Arte France Cinéma, and MIBACT. Eurimages chose the film as one of 16 films for financial support on October 22, 2019. The Rotolo family stars in the film, with Swamy Rotolo in the titular role of Chiara.
The film concluded filming in March 2021, and post-production commenced, with MK2 Films handling international sales and distribution in Italy.  Neon purchased North American distribution rights to the picture on July 18, 2021, following the film’s award-winning premiere at the Cannes Film Festival.
— Quinzaine des Réal. (@Quinzaine) June 21, 2021
A Chiara Film Review
The film has a Metacritic score of 76 out of 100, indicating that it has received mostly positive reviews. A Chiara gives Carpignano the chance to cast his compassionate attention on another underserved part of Calabrian society, one whose values — family, mutual support — can’t be disregarded simply because we’re uncomfortable with how they coexist with a sense of ethics that ends at kinship’s borders,” Jay Weissberg wrote in a positive Variety review.
“Tim Curtin’s dynamic camera is sensitive to Chiara’s youthful energy without going excessive, playing on a liminal balance between security and imbalance,” he said of the cinematography and original score.
Carpignano utilises music to represent Chiara’s existence even more powerfully, yet its pervasiveness risks driving rather than eliding the film’s emotions.” In another good review, David Rooney of the Hollywood Reporter dubbed the film Carpignano’s “most accomplished and emotional picture to date” and “a companion piece that takes fascinating new twists.”
The Europa Cinemas Label jury announced that the film won Best European Film in the Directors’ Fortnight section of the 2021 Cannes Film Festival.
This narrative of the young female character’s increasing empowerment and her bond with her father and extended family is wonderfully organised and constructed. The use of non-professionals in all of the parts works really well, and the inventive sound design adds much to the film’s appeal.
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